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Wednesday, 20 January 2016

Digital Past 2016: Safeguarding Intangible International Cultural Heritage





Donna Mitchenson of Durham University will be at Digital Past 2016 discussing her research into community contribution to safeguarding intangible cultural heritage (ICH).

The term ‘creating meaningful transmission experiences’ has been developed to describe situations whereby the interaction between visitor and heritage technology is ‘optimised’. This can be achieved by linking established learning styles with transmission technologies with the aim of enabling an experience whereby the user will retain information. This is key to safeguarding intangible cultural heritage in that many previous attempts have fallen into the trap of recording instances of ICH where the digital surrogate is stored away and often forgotten about. This creates a situation whereby this heritage is frozen in time and no longer evolves, something that is in the very nature of ICH. Linking learning with transmission technologies moves beyond this, it works in respect of the evolutionary nature of ICH, and beyond the tired, static, modes of transmission, which are all too often found in museums and at heritage sites.

The constructivist Museum (Source: GEM. Image by: Hein)

Donna will discuss how her research aims to pursue integrated thinking in the quest to safeguard ICH; literature concerning heritage technologies concentrate on the novel nature of technology and heritage communications. This research explores how communities can contribute to the safeguarding and transmission of intangible cultural heritage by co-creation and collaboration strategies. This community involvement also addresses some authenticity issues that may arise in terms of the heritage itself and the way in which it is presented.

Using Durham World Heritage site as an example, the proposed ‘optimisation’ of the interaction between visitor and site will be illustrated. Donna will discuss the use of mobile learning theory to allow a more meaningful interaction and will debate the various mediums by which digital interpretation can be delivered to a visitor; in particular, personal mobile devices with which users often develop emotional connections making the learning experience more personal and creating an opportunity for nurturing an emotional attachment to the heritage itself.

‘Resources are made up of tangible objects, places, people, and events as well as the intangible meanings to which each is linked. To neglect one is to squander the power of both.’

Proposed Durham World Heritage Site Safeguarding of ICH


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Tuesday, 19 January 2016

Digital Past 2016: Cijferboek Cultureel Erfgoed, Survey and Monitoring Digital Heritage in Flanders






The Cijferboek cultureel erfgoed (literal translation: Number book cultural heritage) is an initiative of the Agency for Arts and Heritage of the Flemish government and FARO: Flemish Interface for Cultural Heritage. It collects biannual figures on the operation of the authorised (with a certification label) museums, archives and heritage libraries, and the subsidised nationwide heritage organisations and heritage bodies. It includes data about the management form, staff, volunteers, financial resources, infrastructure, collection size and management, activities, access conditions, visitor numbers and services.

Bert de Nil will be talking about how this data allows the evolution of the cultural heritage sector to be monitored with accurate statistics and can underpin the policy and support for cultural heritage.

Basic indicators are the registration, digitisation and online accessibility of the heritage collections, and since 2014, data on born-digital collections (ownership, registration and online accessibility), managing digital heritage (financing, deployment of staff / volunteers, dissemination and use, open data, digital archiving). Certain components are based on ENUMERATE survey.


FARO organises this survey every two years. This allows us, not only to monitor the evolution of the cultural heritage sector with figures that are up-to-date, but also to benchmark the heritage organisations and heritage bodies. All data is publically available via the website: www.cijferboekcultureelerfgoed.be


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Tuesday, 12 January 2016

Digital Past 2016: Prototyping, surveying, observation and data – how does evidence from users improve your services?







Andrew Lewis of the Victoria & Albert Museum (V&A) will review how you can understand your users in ways that lead to digital services that are meaningful for them. Using examples of live services developed by the V&A Digital Media team, he will explore how you can practically support the accepted principles of user-centred design by planning how you gather and present evidence of their effectiveness.

 

Andrew will show how iterative testing and simple user observation with prototypes will help prevent organisations accidentally investing in unwanted features or even whole services. He will also show how thoughtful implementation of behavioural data capture will let you see exactly how users really use your digital products. He will explain how the structure you choose for capturing user data affects how effectively you can report and present it within your organisation, allowing you to better influence useful changes based on strong evidence.



Examples will include: how you can compare prior motivation with actual onsite behaviour; how to measure how usable interface designs really are, beyond simply how good they look on paper; how placement and wording of calls-to-action affect usage; what gestures people use on touch devices; how long do people spend on audios in your guides; what people are really trying to access over your Wi-Fi and lots more.
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Monday, 11 January 2016

Inspirational Archives – submission deadline for creative works 17 January 2016





The latest art works inspired by images from our archive are now viewable on People’s Collection Wales, including two expressive pen and wash sketches of Jezreel chapel, Goginan and thought-provoking collages linking standing stones with modern domestic settings by Rachel Auckland.



It often takes a deadline to give that vital spur to creative endeavour, so we’re expecting a last minute flurry of submissions. Your work will be added to our online collection and could be selected to appear in the next edition of Planet. Choice of medium and of archive image/s to be inspired by is completely free and open. To find images search Coflein. Use the free text search box and click on the online images only box.

Send your work in digital form using the submission form here: http://www.cbhc.gov.uk/HI/ENG/Announcements/?anno=83 

 
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Wednesday, 6 January 2016

There is Still Time! A follow-up to our Inspirational Archives day held on 18 November, 2015





Thank you to all those who attended our Inspirational Archives day back in November. The deadline for submissions is now fast approaching.

Have a look on Coflein, www.coflein.gov.uk, and our website, www.rcahmw.gov.uk, for material to inspire you.

Create something of your own: a poem; a cake; a model; a short story or a piece of embroidery; a painting; sculpture; carving or collage like the one we made together on our open day.
http://www.peoplescollection.wales/items/486161

http://www.peoplescollection.wales/items/486159

Go to the Peoples Collection Wales, http://www.peoplescollection.wales/collections/475660, to see submissions already received and examples of works inspired by our archives.

Once you have completed your piece, take a photograph of it and email it to nmr.wales@rcahmw.gov.uk with your completed submission form, which can be found at www.rcahmw.gov.uk/HI/ENG/Our+Services/Outreach+/Inspirational+Archives/.

Your work will be put in a gallery on Peoples Collection and a selection published in Planet magazine and displayed at Ceredigion Museum.

All submissions to reach us by 17 January 2016.


Be Inspired by the Royal Commission’s Archives


Preliminary piece for textile of Castell Coch, by The Mad Mountain Stitchers


Collages in progress



Book Art



Create something of your own



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